It’s the right origin – Riddler spawns when his self-ascribed genius is demeaned by Bruce Wayne. It’s farcical, a noxious pulp fantasy that sees Riddler (Carrey) latching on to Gotham’s TV addiction to feed his own mind. Whatever the ‘89 film did to progress public perception of comics, Batman Forever seems determined to undo. The script that lets them loose is derogatory to the uniqueness of say, DeVito’s eccentric Penguin.īatman Forever is an uncomfortable nightmare

Together, the pair’s ambition is to be obnoxious and loud. Batman Forever drives itself into a rut, halfway between Burton’s surrealism and the Warner executives who wanted camp outrageousness indicative of Adam West. While still hooked on darkness, there’s more color in this fourth entry. At the worst, Batman Forever has Jim Carrey and Tommy Lee Jones. It’s the one with a nauseating, twisting camera. There’s an alley brawl under black lights. This is a movie that puts neon strip lighting on Tommy Guns. Yes, the one with derided nipples on the Batsuit, but that’s hardly the major offense. More so considering the prior two movies hardly treated Wayne as an actual human.īut this is Batman Forever. That dynamic of Wayne trying to avoid creating another of himself deserves credit. Bruce Wayne warns sidekick Robin about what it means to take a life in revenge, a reflecting point after Batman and Batman Returns saw Wayne produce a number of corpses. It figures this is the Batman to deal with morality in vigilantism.

Batman forever movie set design